James May's 20th Century

At the beginning of the 20th Century, long distance travel was for the military-minded, the uprooted and the plain rich, but the pioneers of flight were to change all that. To find out how, James May gets his hands on a Vickers Vimy aircraft that in 1919 carried two intrepid Brits, Alcock and Brown, across the Atlantic for the first time. But it wasn’t just flying that changed our perception of the world. The motor car offered us a new sense of freedom, but when James tries out a 1908 Model T Ford, he discovers driving was once a very tricky business indeed. As he observes: "The right pedal was the brake and the middle pedal was reverse gear. There was no clutch as such: the left pedal was both clutch and forward gears - depending on how far pressed. I’m amazed this driving thing ever took off. " Shrinking the world wasn’t just about travel becoming easier and more affordable. For the first time in history we could bring the world to us via the cinema. James shoots his own black and white newsreel at Walthamstow Dog Track and looks back at the early days of television when two different formats fought for supremacy. Finally, James faces a dilemma: in 1969, two technologies emerged that promised to change our world forever. The first was the supersonic aircraft, Concorde. The second was computer messages, one day millions of emails would travel the world thanks to optic fibre cables. But in the late sixties which one would he have backed? "Don’t you think it’s weird that when it comes to shrinking the world, this piece of fibre has completely triumphed over that magnificent supersonic airliner? It seems to me we spent the first three-quarters of the 20th century going out into the world, trying to see more and more of it, and then in the last few decades we’ve realised that actually we can bring quite a lot of it to us down this optical string thing."

James sets out to discover how far he can push his body and finds out about some of the most remarkable medical advances over the last hundred years. He begins by testing himself in a centrifuge – a machine that can make fighter pilots and astronauts break out in a cold sweat. He wants to find out what would happen to his body when it is subjected to high forces. As he reached 4.4 g – he passed out: "There was no doubt that I’d clearly reached my limit. The blood was forced from my head to my feet and I passed out." He then tries out anti-g trousers, and manages to get to 5.4 g without passing out. Next stop is New York where James meets a group of athletes that have pushed their bodies to the limit to get extraordinary results. These elite sportsmen and women have each lost a leg – but are able to run long distances at high speed thanks to hi-tech prosthetic replacements. They are now winning against able-bodied competitors, a success which has brought the remarkable complaint that the disabled athletes may have a competitive advantage because of their artificial limbs. Back in the UK James is invited to watch open heart surgery - and sees a man’s heart come to a complete stop during the operation. But James’ biggest surprise came when he looked at one of the 20th century’s greatest medical breakthroughs – the discovery of DNA. He had his DNA tested: "To be honest I’m so English that I’m assuming I’m descended from a piece of fruit cake and cricket bat, but let’s see." The results, however, were not at all what he expected.

In the 20th Century the teenager emerged as a separate species. But how? Was it the promise of sex? The power of pop? Or the pull of a 50cc Japanese two-stroke? James May is on a journey to find out. First up is fashion. The 20th century introduced fantastic new fabrics in fantastic new colours thanks to synthetic materials like Nylon. James tries his hand at making some for himself with some success. Close to James’s heart, of course was teenage transport, offering liberation from parents and the home. When he was a teenager he always dreamed of owning a very special motorbike, the Yamaha FS1E. The Fizzy. "The problem was of course, was that my mother would rather I played with something like a used hypodermic needle. The FS1E – a motorcycle you could ride at 16 - was just a symbol of death. It was like your son’s tombstone placed before you. It was ‘Not Allowed’." Finally he checks out the origins of the electric guitar – that potent symbol of teenage rock music. Who better to explain its power than the oldest teenagers in town Francis Rossi and Rick Parfitt of Status Quo. As Rick explains: "It’s just the magic of plugging into an amplifier. You put on a vibrato and you could sound good even if you weren’t. Volume is like speed – you buy a fast car because you want to be faster, you buy a big amp because you want to be louder…."