Art, obsession and anxiety permeate a dilapidated Manhattan loft building in Mid-century: The first movie to use photographer W. Eugene Smiths massive, fly-on-the-wall archive of photos and audio tapes documenting the likes of jazz greats Thelonious Monk, Zoot Sims, Jimmy Giuffre, Hall Overton and others at work and play in the Sixth Avenue wreck that was Smiths home and studio from 1957 through the 60s.